Fatherhood

My father died many years ago, and yet when something special happens to me, I talk to him secretly not really knowing whether he hears, but it makes me feel better to half believe it.” — Natasha Josefowitz

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Oh, the comfort, the inexpressible comfort of feeling safe with a person, having neither to weigh thoughts nor measure words, but pouring them all out, just as they are, chaff and grain together, certain that a faithful hand will take and sift them, keep what is worth keeping, and with a breath of kindness blow the rest away. ~ Dinah Craik

Re-Inventing Instant Memories

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When Polaroid decided to close its factory in Waltham, Massachusetts a year ago, it seemed that the era of instant photos had ended. The advent of computers, digital cameras and instant editing has made the world of the Polaroid photo

Polaroid photo circa 1960 something

Polaroid circa 196?

a relic of an an imperfect and inalterable past. However, a Dutch firm is trying to re-invent the Polaroid process for a new generation, a generation that has come to appreciate the quirky immediacy of those off-center, blurry, satisfyingly real slices of time. The save the Polaroid movement is gaining surprising ground inspiring even the New York Times to invite readers to submit their favorite Polaroids with astonishing results, proof that art is as ephemeral and imperfect as life itself.

Wentworth-Coolidge Mansion

For this was Governor Wentworth, driving down
To Little Harbor, just beyond the town,
Where his Great House stood looking out to sea,
A goodly place, where it was good to be.
~ Henry Wadsworth Longfellow

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Bennington Wentworth, royal governor of New Hampshire from 1741-1767, built the Wentworth-Coolidge Mansion on peaceful Little Harbor in Portsmouth, New Hampshire. During Wentworth’s long tenure as governor, he acquired lands throughout New Hampshire and Vermont, pushing the frontier Westward and expanding his own family’s wealth at the same time. Though a Conservative and Loyalist by nature, Wentworth’s personal ambitions often conflicted with those of the local assembly. When refused an official residence in the town of Porstmouth, he decided to build his home instead on Little Harbor.

Noted for his imperious nature, Wentworth was the last in a long pre-Revolutionary line of governors, surrounded by servants and accustomed to privilege. Despite his extravagances, he was well loved in his community, affectionately dubbed “Uncle Benning,” appreciated for his accomplishments and excused for his excesses. He would scandalize that community in 1760 by marrying Martha Hilton, his housekeeper and a woman 35 years his junior, upsetting the clearly established social order and denying many waiting hands an inheritance they felt was their due.
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Martha would live in the Wentworth-Coolidge home for 35 years, both reviled and romanticised in her time. Longfellow immortalized her in his famous poem Lady Wentworth, a florid, not particularly realistic depiction of her romance with Bennington. In her own community, she would come to be, if not accepted, at least tolerated. She outlived her husband by 30 years, marrying his cousin a year after Bennington’s death in 1870 and passing the home and family wealth on to her daughter.

The mansion itself, an odd assortment of additions and angles, is nestled on Little Harbor, an estuary of the Piscatiqua river in Portsmouth, New Hampshire. Over the years, it has been expanded and elaborated upon by a number of owners. In 1886, J. Templeman Coolidge of Boston bought the house as a summer home, establishing an artistic colony that would see such illustrious visiters as: John Singer Sargent, Edmund Tarbell, and Isabella Stewart Gardner. The Coolidge Center for the Arts is an outgrowth of his vision, featuring art from a number of distinguished galleries. Eventually the Wentworth-Coolidge mansion was passed on to the State of New Hampshire where it is lovingly maintained today.

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Did you know? The first lilacs in the state of New Hampshire were brought to America by Bennington Wentworth and planted on the Wentworth-Coolidge estate. Their descendants live on today and are celebrated each year at the Lilac Festival.

2009 Pulitzer Prize Reprise

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Put it before them briefly so they will read it, clearly so they will appreciate it, picturesquely so they will remember it and, above all, accurately so they will be guided by its light.
~ Joseph Pulitzer

The 2009 Pulitzer Prize winners represent the best in Journalism, Letters, Drama & Music, a tradition begun in 1917 as a bequest of Joseph Pulitzer. Pulitzer, a newspaper publisher who spent his life fighting tirelessly to expose corruption in business and government, wished the Pulitzer Prize to exemplify that struggle; to be, in his own words, “an incentive to excellence.”

Journalism

It is perhaps in the Journalism awards that the spirit of the Pulitzers is best represented. The majority of these awards over the years have gone to newspapers and reporters who have battled corruption both on an individual and a global level. The following papers were honored this year:

History

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In History, Annette Gordon-Reed’s The Hemingses of Monticello: An American Family examines the controversial question of Jefferson’s relationship with Sally Hemmings, a young slave woman in his possession. Gordon-Reed presents a compelling if not conclusive case for Jefferson’s involvement with Hemmings; however, despite the evidence, we are still left wondering at his motivations. Jefferson’s actions so blatantly contradict his clearly articulated ideas on the very nature of freedom. In the end he remains an enigma and the book’s allegations an open question.

The Pulitzer Prize in History

Biography

   
americanlionJon Meacham, author and editor of Newsweek, earned the prize in Biography for American Lion: Andrew Jackson in the White House. Jackson, a Populist candidate who sought to overthrow what he perceived to be corrupt and moneyed interests, is a subject much in keeping with the Pulitzer tradition.

A History of Biography Pulitzers

Poetry

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We are asleep with compasses in our hands

WS Merwin captured the Poetry prize a second time for The Shadow of Sirius. Merwin has journeyed from the anti-war sentiments of 1971′s The Carrier of Ladders to a balanced and sober reflection.

with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

Previous Poetry Winners

Fiction

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In Fiction, Elizabeth Strout won for Olive Kitteridge, a collection of 13 short stories set in rural Maine. She joins a long, illustrious group of past Pulitzer Prize winners.

Drama

Lynn Nottage earned the Drama award for Ruined, set in the violence and chaos of the civil war in the Democratic Republic of Congo.
Past Pulitzer Prize Winners for Drama

Photography

The two prizes in photography went to Damon Winter for his visceral coverage of Obama’s 2008 Presidential campaign.

Obama in Chester, PA       ~    Damon Winter

Obama in Chester, PA ~ Damon Winter

and Patrick Farrell for
A People in Despair: Haiti’s year without mercy
, a harrowing depiction of Haiti after the devastation of Hurricane Ike.
Woman in Cabaret Weeps  ~ Patrick Farrell

Woman in Cabaret Weeps ~ Patrick Farrell

    

View the Complete List of 2009 Pulitzer Prize Winners

And the Winners Are…

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Activism

Protect An Acre
Rock the Vote (People’s Voice) 

Art

Keith Tyson
Live Hope Love (People’s Voice)

Best Use of Photography

The Big Picture-Boston.com

Best Use of Video

TED

Humor

The Onion
Fail

Magazine

The Atlantic

Movie and Film

Sundance Channel
IFC (People’s Voice)

NetArt

DreamGrove
Jackson Polllock (People’s Voice)

Newspaper

UK Guardian
New York Times (People’s Voice)

Politics

Huffington Post
Factcheck.org

Science

Cassini Equinox Mission
Wired Science

Best Blogs

5 Blogs Before Lunch
1000 Awesome Things
Democracy in America

Complete List of Webby Award Winners

Ernie Barnes 1938 – 2009

The light I express is the light of the community ~ Ernie Barnes

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Ernie Barnes reflected the pain and warmth of his roots in the segregationist South in the tangled fever of his subjects, an impassioned and exclusive community that we can only peer in at from a distance. Often labeled a Neo-Mannerist painter, his style like that of his precursors was characterized by elongated, often exaggerated figures. The vigor and fluidity of his paintings a direct outgrowth of his experience as a professional football player, a successful career that he gave up in 1965 to dedicate his life to his art.

One day on the playing field, I looked up and the sun was breaking through, hitting the unmuddied areas on the uniforms, and I said, ‘That’s beautiful!’ I knew then it was all over being a player. I was more interested in art. So, I traded my cleats for canvas, my bruises for brushes, and put all the violence and power I had felt on the field into my paintings

In 1971, Barnes broke through with his solo exhibition The Beauty of the Ghetto at the Heritage Gallery in Los Angeles. His aspiration not only to encourage those in his own community , but to express the intrinsic beauty of that community in its barest details. barnes_beautyoftheghetto1 In 1984, he was honored with the Sports Artist of the Year Award representing his exceptional depictions of the 23rd Olympiad in Los Angeles, California. Barnes remains one of the most collected artists in America.


Americans in Focus: Ernie Barnes

Hurry Up and Vote

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Only a few more days to vote in the People’s Voice segment of the Webby Awards. I spent an evening checking out the Nominees

For Activism, Protect An Acre was most visually appealing with its simple grid of trees, each square representing an individual’s adoption of an acre of forest.

In Art, the choice became more subjective. For style and a stunning array of color, the Museum of Modern Art’s: Color Chart: Reinventing Color 1950 to Today was almost too much information to absorb but worth the effort. With the British artist Keith Tyson’s website concept gets in the way of content, but what a mesmerizing concept. The most compelling in this category had to be Live Hope Love, a moving portrait in pictures and poetry of the devastation that Aids has wrought in Jamaica. It is a visually lush and emotionally harrowing examination of life on the edge of Death.

In the News & Copy Writing categories there are many familiar players. Among the best: The New Yorker, The New York Times, The Guardian, and
Wired. I departed from the predictable here and went with
The Daily Beast, an offbeat, lively “almost take-off” on the daily headlines. Sometimes you need a little irreverence with your coffee in the morning.

Also worth a look:
Dreamgrove , an extraordinary walk through a garden of dreams. It was truly life becoming Art becoming Poetry. Beautiful.

and…

8 Tracks, a music sharing site still working out the bugs but allowing for a seamless mix of music and social networking.

And what Blogs were nominated?

Among the noteworthy, the Economist’s incisive political offering Democracy in America; the Orwell Diaries , a fascinating peek into the thoughts of one of our most compelling modern intellects; Design Observer, elegant in design and rich in content; Indexed, pure zany originality; and, finally, though not technically a blog, The Onion – a dose of humor that we are all sorely in need of these days.

2009 Pulitzer Prize Winners

Obama in Chester, P.A .      ~    Damon Winter

Obama in Chester, PA ~ Damon Winter

Obama in Chester, P.A., one of Damon Winter’s many visceral photos of Obama’s 2008 political campaign. The 2009 Pulizer Prize Winners include among them, Damon Winter for Feature Photography, Douglas A. Blackmon in General Nonfiction for Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II , and Annette Gordon-Reed in History for The Hemingses of Monticello: An American Family

Visit Pulitzer Prize Reprise for an expanded coverage of the winners.

Reducing Reading to Evolution

Jeremy Hsu analyzes the evolutionary basis for our love of storytelling in Why Dead Authors Can Thrill Modern Readers. Do we have an intrinsic desire to punish the bad and exalt the good? Literary Darwinists suggest that we are hardwired to enjoy storylines that enforce the rules of the tribe. Then why do we also have an equally perverse desire to champion the outsider, the rule breaker and the renegade?